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Multi-Grammy
Award-winning recording artist and worship leader Israel Houghton & New
Breed recently released a heart-pumping, jubilant, overflow of praise
with their two-Disc album and DVD Jesus at the Center on Integrity
Music/RGM-New Breed. Houghton co-wrote most
of the songs and shared the stage with guest vocalists Jason Nelson,
James Fortune, Aaron W. Lindsey, Michael Gungor, Bishop Michael Pitts,
Jeremiah Woods, Daniel Johnson, Charlin Moore, Adam Ranney, Tina Baker,
Onaje Jefferson, Krystle Harper and Israel’s daughter, Mariah
Houghton. Of special note is the upbeat, bilingual Latin techno-pop
track
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“Te Amo” featuring T-Bone, offering
Spanish-speaking fans something unique to shout and dance about.
Recorded live over four days at Joel Osteen’s packed Lakewood
Church in Houston, this repository of spiritual energy exemplifies what the
church truly should be—not a physical building but a Spirit-filled, walking
temple of prayer, power and praise. |
Practice
the Presence
An interview with
Israel Houghton
By Jeremy Armstrong
After a striking success with
two studio offerings that garnered back-to-back Grammys for
Israel Houghton as a solo artist (Best Pop/Contemporary
Gospel Album 2009, 2010), he is back with New Breed, and
together they return to their roots with their August 2012
release Jesus at the Center.
The new offering is a live recording captured with Houghton’s home
community at Joel Osteen's Lakewood Church in Houston,
Texas, where he serves as a worship leader. And the reason all
of this is relevant is if there is a single leader who
understands the importance of excellence in leading a service of
worship while simultaneously making sure the power of the
Spirit’s presence is revealed, it’s Israel Houghton.
See
Israel & New Breed's Live "It's
Not Over" Video -
Click
Here
Highly visible and scrutinized by millions, Lakewood is a tough
gig. And this is at least part of the reason Houghton is quick
to mark the inherent confusion created when worship leaders—who
are musicians and artists in every way, who week after week
rehearse their skills, who position themselves on raised stages
under spotlights, and who play music in front of a group of
people—claim that what they do is not a performance.
“We always hear worship leaders say, ‘We’re not here to perform,
were just here to worship,’” begins Houghton. “Well you could do
that at home. Look around; there is a whole bunch of people here
that have something in common. They are looking for inspiration.
They are looking for someone to usher them to the heart of
Jesus. You have a role to play. … And I realize we have to get
past the place where it’s just about music. Ultimately, It has
to really be about bringing those people to a place where they
say, ‘Wow. I hear God’s voice right now. I feel a strength that
I didn’t feel when I got here.’”
Entertain Us?
There is a refreshing sense of clarity in Houghton’s
approach. Perform means “to present (a form of entertainment) to
an audience.” So possibly we have some problem with the word
“entertainment.” However, entertainment is part of many
ministries. If your pastor didn’t entertain you, you would tune
out in the first five minutes of his sermon. Of course these
things are nuanced. If all he did for 45 minutes was entertain
the congregation, then we would have a problem. Entertainment,
performance, these are elements in leading worship, to hide from
that fact is naïve. But they are only part. There is a more
honest and encompassing understanding of the many nuances of the
art of leading worship.
“Some of the best performances
I’ve ever been a part of have been where people almost had to
lean in to experience it, as opposed to just being hit in the
face with a huge production,” says Houghton. “There have been
other times when the production has been so amazing and
dramatic, that you can see the inspiration in that as well. But
sometimes in performing, the most simplistic, pared down, scaled
down, approach might be the best one.
"At my church, one of the things we did as a team was examine the
effort we put into Easter. For Easter weekend we poured great
effort into how the songs would be structured, how we were going
to go about it, we planned this big drum feature thing.
Whatever. I asked our team, ‘What if we did that every week?’
Just put it all out there every single week? Some would see that
as the wrong kind of performance, but I would see it as caring
for the people that are coming to hear from God. Every couple of
months at Lakewood, I have to remind our team as I remind
myself: we’re not here because we are the best musicians that
they could find; we’re here because God orchestrated it.
"You can’t take that for granted. You can’t phone that in. There
are only 52 Sundays in a year. You have 52 opportunities with
the people God has entrusted you to lead per year. And with
vacations and other things, it’s going to be even less than
that. So there are no throwaways.”
Do No Harm
The point here is that avoiding performance could do more
harm than good. Houghton explains, “From my angle, a poor
performance is when somebody is leading and they might as well
have a sign on that says, ‘Look at me. I’m about to impress
you.’ That’s what I call back-footed worship. Whereas
front-footed worship, which is what I demand of my team both at
Lakewood and with New Breed, understands that we are here for
something way bigger than ourselves and we are aggressively
going after that right now. And we want to help you join us.
|
“That’s why performance
is a tough word even now. Because I want to be a part of inspiring
you to worship God, and I know that some of that inspiration comes
from excellence. I’m not stupid, I get that part. But instead of
relying on Jesus, the wrong kind of leading relies on ability, on
talent. It gets to the point where you try to impress people with
the gift. I’ve done it. And I even annoy myself; I can only imagine
how annoying I am to everyone in the room. It’s better to be looked
through than to be looked at—to be a lens. We are there to point the
way to Jesus.”

Quality Performance
So what goes into a good worship performance? For
Houghton, there is plenty of instinct involved and long-term
practice that includes the music, but it goes far beyond that. “I’ve
been at this thing for 22 years as far as fulltime ministry,” says
Houghton.
“And if there was a formula, I’m kind of glad I don’t know
it. Does that make sense? I tend to read a room, read an
atmosphere—certainly rehearse the songs and know what we’re going to
sing and what we’re going to do—but I never hang my hat on that. I’m
always looking for that moment. Always asking, ‘God, how do you want
to do this?’ If something were to happen spontaneously, you can
often feel it from your band.
Because they kind of lean in. they end up on their tiptoes. And
then the congregation, maybe they don’t quite know what’s going on,
but they know something special is happening. And I kind of live for
that moment. I live to get to that place where suddenly we find that
the people are invested in that moment, and in that song differently
than if you would have just played your song without being
sensitive.
“And musically Pastor Joel really
likes when I take it to an unpredictable place. But you know, we
have a whole horn section. I can’t do that unless we’ve really
practiced the presence of God together. So I’ll spend time jus bro-ing
with those guys. I’ll spend time making sure they know the
ins-and-outs of the songs. And after leading with them for 11 years,
they know that if I lift my right leg, and I don’t even realize I’m
lifting my right leg, they know that means, ‘Okay I think he’s gonna
do the chorus again.’
"But we have learned each other over time. We can’t do that without
spending some real time together behind the scenes.”
The Scales
Ultimately, Houghton believes in practicing. It is the most
important aspect of performance in worship. And by practice, we mean
practicing the presence of God. Without the Spirit of God as the
driving force for our music and our leadership, the music played at
a worship service becomes mere performance. We must ensure
that our time performing translates into worship leadership.
Houghton explains, “Don’t make this
Sunday the first time you opened up your ears to God’s voice all
week. Make sure there is a perpetual life of worship happening.
You’ve heard the statement, ‘You can’t take people somewhere you
haven’t gone.’ So there have to be those moments all week where you
are connecting with God—maybe praying over your song list.
"You know? You are going to go through all the ‘what-ifs’ about
your services, but you have to make sure and say, ‘Hey God. What do
you think about all of this?’ Sometimes I’ll just prayerfully play
through a setlist and be reminded that there is a psalm that matches
a phrase in this hymn; what if we tie them together? You get those
‘inhale’ moments. The key is making sure the connection stays clear
the whole week. You practice the presence of God.”
In the end this is the
greatest lesson a four-time Grammy award winning worship artist can
share with us: the presence of God is what makes for a good worship
performance. In fact, the presence of God is the only thing that
elevates a worship performance to worship leadership. It becomes
more that mere performance.
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ISRAEL & NEW BREED FEATURING
JAMES FORTUNE & JASON NELSON
"It's Not Over"
(from
Jesus
At The Center)

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